Egil’s Saga Read online

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  Published by HarperCollinsPublishers Ltd

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  Copyright © E. R. Eddison 1930

  Maps copyright Gerald R. Hayes 1930

  Jacket illustration © HarperCollinsPublishers Ltd. 2014

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  Source ISBN: 9780007578092

  Ebook Edition © 2015 ISBN: 9780007578108

  Version: 2015-05-07

  To

  MY DAUGHTER

  JEAN

  AND TO A NOBLE ICELANDIC LADY,

  SVAVA ÞÓRHALLSDÓTTIR

  OF Hvanneyri

  I DEDICATE THIS BOOK

  CONTENTS

  Cover

  Title Page

  Copyright

  Dedication

  Preface

  Introduction

  Chap. I. Of Kveldulf and his sons

  II. Of Oliver and Solveig

  III. The uprising of King Harald Hairfair

  IV. Of the battle off Solskel

  V. Of King Harald’s sending to Kveldulf

  VI. How Thorolf Kveldulfson went to King Harald

  VII. Of Biorgolf and Bryniolf, and of the beginnings of the sons of Hildirid

  VIII. Of Thorolf and Bard Bryniolfson

  IX. Of the battle of Hafrsfirth

  X. Of Thorolf’s Finn-faring

  XI. Of the faring of King Harald into Halogaland and his guesting with Thorolf Kveldulfson

  XII. Of the evil speech of those sons of Hildirid

  XIII. Of Thorolf’s sending of the scat to King Harald and gifts therewith

  XIV. Of Thorolf’s second faring into Finnmark

  XV. Of more lies and slanders of those sons of Hildirid

  XVI. Of Thorolf Kveldulfson and the King

  XVII. Of Hildirid’s sons and their gathering of the Finnscat, and of their new lies and slanders

  XVIII. Of the King’s sending of two brethren and their robbing of Thorolf’s ship

  XIX. Of Thorolf’s harrying in the Wick and of counsel given him by Kveldulf

  XX. Of Skallagrim’s wedding

  XXI. Of rede taken for an onset against Thorolf

  XXII. The fall of Thorolf Kveldulfson

  XXIII. The slaying of Hildirid’s sons

  XXIV. The sorrow of Kveldulf

  XXV. Of Skallagrim’s going to the King

  XXVI. Of the children of Duke Gutthorm

  XXVII. Of the slaying of Hallvard and Sigtrygg: and how Kveldulf and Skallagrim fared to Iceland

  XXVIII. Of Skallagrim’s land-taking

  XXIX. Of the works of Skallagrim

  XXX. Of the coming out of Yngvar, the father-in-law of Skallagrim

  XXXI. Of the children of Skallagrim

  XXXII. Of Biorn Bryniolfson and Thora Jewel-hand

  XXXIII. Of Biorn’s faring to Iceland

  XXXIV. Of Skallagrim and Biorn

  XXXV. Of the birth of Asgerd: and how Thorolf Skalla-grimson went with Biorn to Norway

  XXXVI. Of the King’s son Eric, and Thorolf Skalla-grimson

  XXXVII. Eric Bloodaxe in Biarmaland

  XXXVIII. Thorolf cometh home to Iceland

  XXXIX. Thorunn Skallagrim’s daughter given in marriage

  XL. Of Egil’s childhood and upbringing

  XLI. Of Biorn and Thorolf and King Eric; and of Egil and Arinbiorn

  XLII. Of Thorolf’s wedding with Asgerd

  XLIII. Egil in Atley

  XLIV. Of Bard’s slaying

  XLV. Of Egil’s flight

  XLVI. Thorolf and Egil harry in Kurland

  XLVII. Thorolf and Egil harry in Denmark

  XLVIII. Of guesting with Earl Arnfid: and how Thorir the Hersir spake with the King concerning those sons of Skallagrim

  XLIX. Of the dealings betwixt Egil and Eyvind Braggart

  L. Thorolf and Egil in England

  LI. Of Olaf the Scots-King, and others

  LII. Of Olaf the Scots-King’s warring against England

  LIII. The battle on Winaheath

  LIV. The second day’s battle on Winaheath: with the fall of Thorolf Skallagrimson

  LV. Egil in King Athelstane’s hall

  LVI. Of Egil’s wedding and of his home-coming; and of his faring abroad the second time and his suit against Bergonund at the Gula-Thing

  LVII. Egil made outlaw from end to end of Norway: of his vengeance taken upon Bergonund and others, with how he laid a Scorn upon King Eric and the Queen and came home again to Iceland

  LVIII. Of the death of Skallagrim

  LIX. Of Egil’s faring abroad the third time: with how he was cast ashore in England and was fallen into the hand of King Eric Bloodaxe and Queen Gunnhild

  LX. How Egil quoth his drapa that is named Head-ransom in King Eric’s hall in York

  LXI. Of Egil’s life given him by the King

  LXII. Of Egil’s faring to Norway with Thorstein Ericson, the sister’s son of Arinbiorn the Hersir

  LXIII. Of Egil and King Hakon Athelstane’s-fos-terling

  LXIV. Of Egil’s coming to Fridgeir’s, and of his dealings with Ljot the Pale

  LXV. Of the dealings betwixt Egil and Atli the Short

  LXVI. Of Egil’s home-coming and dwelling in Iceland: the children of him and of Asgerd

  LXVII. Of Egil’s going abroad once more to Norway, and his guesting with Arinbiorn in the Firths

  LXVIII. Of Egil’s claiming of the heritage of Ljot whom he had slain, and how Arinbiorn brought that claim before King Hakon, and with what issue

  LXIX. Of the harrying of Egil and Arinbiorn in Frisland, and of their parting

  LXX. Of the Vermland scat, and how King Hakon would send Thorstein Thorason to get it in, other else to get him gone out of the land

  LXXI. Of Egil’s journey into Vermland and his guesting with Armod Beard

  LXXII. Of Egil’s leave-taking of Armod, and his coming to Thorfinn’s

  LXXIII. Of Egil’s coming to Alf the Wealthy

  LXXIV. How Egil came to Earl Arnvid and had the scat of him, and of the Earl’s charge unto his men concerning Egil

  LXXV. Of Egil’s bringing of the scat out of Vermland and of his great fights against the Earl’s men that sat for him in Eidwood

  LXXVI. Of the bringing of the Vermland scat to King Hakon, and of the King’s faring into Vermland and those eastern parts, and of Egil’s coming home to Iceland

  LXXVII. Of the burning of Thord Lambison; and of the giving in marriage of Thordis, Egil’s step-daughter, to Grim of Mossfell

  LXXVIII. Of the wedding of Thorgerd, Egil’s daughter, to Olaf the Peacock: of Egil’s loss of his sons Bodvar and Gunnar; his Sons’ Wreck and his Arinbiorn’s Lay; and of his old age in Iceland and the friendship betwixt him and Einar Jingle-scale

  LXXIX. Of Thorstein Egilson, and of the death of Asgerd, Egil’s wife, and how Egil shifted house from Burg to Mossfell

  LXXX. Of Steinar, the son of Onund Sjoni, and his high-handed dealings with Thorstein Egilson

  LXXXI. Of the slaying of Thrand, and of the suit at law betwixt Stei
nar and Thorstein

  LXXXII. Of Egil’s award in the suits between Steinar and Thorstein

  LXXXIII. How Steinar sat for Thorstein Egilson beside Einkunnir

  LXXXIV. Of the end of the dealings between Steinar and Thorstein Egilson

  LXXXV. Of the last days and death of Egil Skalla-grimson

  LXXXVI. Of the finding of Egil’s bones

  LXXXVII. Of the Myresmen’s kin that are come of Egil’s blood and line

  GENEALOGICAL TREES

  CHRONOLOGICAL TABLE

  LIST OF ABBREVIATIONS

  TERMINAL ESSAY: ON SOME PRINCIPLES OF TRANSLATION

  NOTES:

  I. Books for English Readers

  II. Berserk

  III. Shape-strong

  IV. General Note on the Verses

  V. The Scorn-Pole

  VI. Earl Hakon the Great

  Miscellaneous Notes

  INDEX

  MAP OF NORWAY IN THE SAGA-TIME

  MAP OF THE COUNTRYSIDE ABOUT BURGFIRTH

  Also by E. R. Eddison

  About the Publisher

  PREFACE

  EGIL SKALLAGRIMSON of Burg is the main actor in this history, not its author. Who its author may have been we do not know, and probably never shall. The time is a thousand years ago: the place the northlands, generally Norway or Iceland. Certain famous scenes (the battle of Winaheath and the great drama of the Höfuðlausn in Eric’s hall at York) are staged in England, and this in itself may be thought to give this saga a special interest to English readers. But quite apart from such accidents of staging, no Englishman, I think, can read the book attentively without becoming aware that this is not a foreign book but curiously his own, curiously English. The accent and manner of the story, the characters in it, their instincts and reactions and, in a subtle and fundamental way, their whole outlook on life, seem native to us; and if this is surprising it is only because we have grown accustomed to regard as distinctively English many qualities that have come down to us through the Norse strain in our ancestry.

  The present edition is meant first for the man in the street, and only secondarily for the expert or scholar. The Icelandic sagas, of which Egil’s Saga is one of the most important, are documents of interest to inquirers in many fields, history, anthropology, comparative law and custom, philology. That interest they hold in common with a thousand musty chronicles. But the sagas have another quality which they share only with a few of the great literary masterpieces of the world: the quality of vivid, unstaled and undauntable life. If they are to-day, after so many hundred years, still read and re-read in every farmhouse in Iceland, it is from no obsession with the bones of a dead past, but because the sagas are replete with individual character and action; because they are swift, direct, dramatic; because on their pages real men and women play out their everyday existence on the stage of the world uninterrupted by extraneous judgement or comment, and disguised by no specious but false lightings of romance.

  The general reader, then, I have had mainly in mind. For his sake I have kept the pages of the translation free from the distraction of footnotes: I have confined the Notes at the end largely to points the elucidation of which is helpful towards the fullest enjoyment of the story and (a very different and much more troublesome matter) an understanding of the verses which occur here and there: I have included in the Introduction such general facts about the settlement of Iceland by the Northmen, the state of society in the North in the heroic age, and the nature of the classic literature as such a reader may be interested to know of if he takes up the book with no previous knowledge of the subject. Further I have, by the addition of genealogical trees, chapter-headings, and a carefully framed index, done all I could to smooth away what is the only serious obstacle met with on a first acquaintance with the sagas: the difficulty on a first reading of carrying in one’s mind the many different persons, and sorting out the major from the minor characters.

  Egil’s Saga has not hitherto been available to English readers. A previous attempt to translate it was made, some thirty-five years ago, by the Rev. W. C. Green. It is to be feared that the translator little understood the qualities of his original or the difficulties of his task. His version (now out of print) in its flaccid paraphrasing, its lack of all sense of style, its latinized constructions, and (a comparatively venial offence) its foolish and unavowed expurgations, conveys no single note or touch of the masterpiece with which he was dealing.

  I have based my translation on Dr Finnur Jónsson’s text in his latest edition published at Copenhagen, 1924.

  I wish to place on record my obligations to the many people who have helped me in this work. First, to Mr Bogi Ólafsson, teacher of English in the Grammar School at Reykjavik, who has given me the inestimable assistance of his criticisms of my renderings after reading the whole of my manuscript through in its first draft. Thanks to his generous help, I can at least be sure that my text is free from the grosser mistakes which must otherwise have crept into it. Secondly, to Professor Sigurður Nordal, whose own new annotated edition of the original was unfortunately not available in time for me to make use of it in preparing my Notes. He has however kindly read in MS both the Introduction and the Terminal Essay, in both of which, and in the Notes, there is much that owes its existence to his inspiration and learning. Among others to whom I am indebted are Dame Bertha Phillpotts, for her constant interest and encouragement; Sir Henry Newbolt; Professor Haakon Shetelig; and Mr Gerald Hayes for the beautiful maps he has designed and given me. I also thank Dr Finnur Jónsson, for courteously authorizing me to make use of the valuable material embodied in his editions of Egils Saga; Messrs Bernard Quaritch, for giving me full authority to quote from their Saga Library, which, besides containing Morris’s magnificent (indeed, the only readable) translations of such important sagas as the Ere-Dwellers (Eyrbyggja) and the Heimskringla, affords in its concluding volume a mine of useful historical and critical information; Messrs Longmans Green and Co. and the Trustees of the late William Morris, for allowing me to quote from Grettir the Strong and Three Northern Love Stories; Professor E. V. Gordon and the Clarendon Press for permission to quote a passage from his Introduction to Old Norse; Messrs Longmans (again), the Syndics of the Cambridge University Press, and Count Hermann Keyserling together with his publisher, Mr Jonathan Cape, as regards quotations from R. L. Stevenson, the Cambridge Medieval History, and the Travel Diary of a Philosopher respectively. To Mr Cape I am also obliged for his agreement to my including in the Introduction my version of part of the Völospá, originally printed in my historical novel Styrbiorn the Strong. Finally, I am grateful to Mr Walter de la Mare for letting me use on a fly-leaf (see here) words of his which, though written in another context, sum up far better than could any words of mine the peculiar genius of the sagas.

  Of Egil’s personal character the saga and the specimens of his own poetry which it preserves can speak more eloquently than any latter-day translator. I will only say that the school of criticism which questions the veracity of the saga on the ground that (for example) the gouger out of Armod’s eye could not in nature be also the tender and sublime poet of the Sonatorrek, is a school that knows little of humanity. In his pride, his reckless violence, his selfishness, as well as in his love of his art and in his simple faith that God is on his side and that those who disagree with him are therefore patently hostes humani generis, he stands side by side with Benvenuto Cellini. It is never to be said of Egil, whatever his faults, that he was a little man; or a liar; or a man without “kinship with the stars”.

  E. R. E.

  71, BEDFORD GARDENS

  CAMPDEN HILL, W.

  September 1930

  Μυάσεσθαί τινά ϕαμι καὶ ὔστερον ἅμμεων.

  SAPPHO

  “Not one overt word of horror or of warning or of admonishment, only the bare clear record; but beyond it the poising of scales so delicate and so sure that the secrets of every heart are revealed and the judgement never in d
oubt.”

  WALTER DE LA MARE

  (from Desert Islands: on the romance

  enshrined in the Old Testament)

  INTRODUCTION

  THE HEROIC AGE AND THE SAGAS

  OF the five major Íslendinga Sögur (Njála, Egla, Laxdæla, Eyrbyggja, and Grettla) Egil’s is at once the most aristocratic in spirit, the most pagan, and (with the single exception of Njála) the most perfect as a work of art. That is as much as to say that it is, of all five, the most typically Icelandic. For Iceland means three things: first, on the political field—aristocratic individualism of an uncompromising kind; secondly, in its broad outlook on human life and destiny—paganism; and thirdly, in art—a peculiar and in itself highly perfected form of prose narrative. When we consider that the growing time, the flowering and the decay of this Iceland were comprised within a period beginning in the ninth century in the reign of Alfred the Great, and ending in the thirteenth, it is clear that the whole thing was only made possible by the accident of the physical isolation of Iceland from the rest of Europe. For there was no room in mediaeval Europe for an aristocracy not feudal but anarchical, or for a paganism so deep and so tolerant that it lived on, essentially unchanged, for generations after it had adopted as its own the formulas and practices of Christianity. These things could not have developed in a society exposed at close quarters to the huge impersonal ideals of Empire and Papacy and to the all-embracing system of dogma and ethic of the mediaeval church; while the dead weight of Latin culture made it impossible for an original literature, owing nothing to Greece or Rome, to spring up and attain to classic perfection in the vulgar tongue.

  It is as a background to Egil’s Saga, which is the main figure in our picture, that I propose now to sketch roughly what seem to me the essential features of this profoundly interesting piece of landscape which, in the country of the mind, we may call Iceland. The sketch must be meagre and inadequate; it contains, I am afraid, nothing that is new; but I shall do my best to see that it contains nothing that is not true.

  THE REPUBLIC

  Politically, we may say that it was King Harald Hairfair who created the Icelandic commonwealth; not by his will, indeed, but by his act. He broke down by conquest the old order in Norway, and raised up in its place a central and autocratic power wielded by himself as sole King through subordinates, his own creatures and instruments. To the old nobility this change was the greatest of evils: in every folkland instead of their old folk-king, not much beyond themselves in power and honour, to whom they owed a loose allegiance and upholding in war, they were now faced with Harald’s earl and tax-gatherer. Most hateful of all was the King’s claiming of the odal rights, the freehold land-rights by which the land followed the family from generation to generation. He took away these odal rights, and gave them back only in return for taxes and other services. The great men (including small kings, earls, hersirs, and landowners of lesser rank) had therefore the choice of three things: to withstand the King in battle, to renounce their freedom and become his men, or to flee the land. The first was shown by repeated experience, extending over some twelve years and ending with the great sea-fight at Hafrsfirth, to be impossible. The second was accepted by many. But there were large numbers who preferred the third choice, to leave the country. “Because of that unpeace many noble men fled from their lands out of Norway; some east over the Keel, some West-over-the-sea. Some there were withal who in winter kept themselves in the South-isles* or the Orkneys, but in summer harried in Norway and wrought much scathe in the kingdom of Harald the King” (Eb. 1)†. But after Hafrsfirth, Harald cleared out the vikings in their western lairs and set his own earls in the Orkneys. Men had then to turn their eyes to more distant lands, and it was at this time, about 874, that Iceland was discovered. To that hard and lonely island in the high Atlantic there was for the next two generations an almost continuous stream of settlement from Norway, both direct and by way of the western lands. By the end of that time the country was stocked with a population of perhaps 50,000. A small population: but so was Athens small, and the Greek cities of Ionia. Eugenically, it may be doubted whether any country in history has possessed a population of a higher quality. For the men who settled Iceland were precisely the pick and flower of the Norse race; precisely those whose fierce spirit of independence and freedom could not abide the new ‘enslavement’ in Norway, and who chose loss of lands and goods, and banishment in an unknown country, rather than go under King Harald’s hand. To match the circumstances we must picture the sailing of a Mayflower not in Stuart but in Elizabethan times, and give her for passengers not William Penn and his Pilgrim Fathers, but, driven from England by some strange tyranny till then unheard of, men of the mind and temper of Raleigh and Drake, Sidney and Marlowe.